Thursday, October 28, 2010
Hospitalogy / Illness / Wellness
Thursday, February 11, 2010
Occultations Book Release / Belladonna Series

Thursday, January 21, 2010
PRESS 2009-2010: Jules Boykoff & Kaia Sand
Friday, December 18, 2009
ANNUAL FUCK THE HOLIDAYS SMALL PRESS GIVEAWAY SPECIAL OFFER EXTRAVAGANZA
image of limited edition artist book, PRESSING, by Wheelhouse Chapbook Designer, Kate Robinson, available thru Wheelhouse PressHOLIDAY SALE
Belladonna Book announces BIG HOLIDAY SALE
FREE SHIPPING for orders of $100.00 or more.
Hurry... there are only 6 complete Elders Series left!
Chapbooks are extremely limited (editions of 125) and sell out quickly, never to be seen again in this form.
Also, please consider donating to Belladonna Series and toward the beautiful publication of brilliant avant-garde and multidimensional feminist writing.
Edited by Brenda Iijima
Published by Portable Press at Yo Yo Labs (www.yoyolabs.com)
Forthcoming August 2009
How can poetic language engage a global ecosystem under duress? How do poetic forms, structures, syntaxes and grammars contend or comply with the forces of environmental disaster? Can language innovation proactively forward the cause of living sustainably in a world of radical interconnectedness? How do issues of geography, race, gender and class intersect with the development of individual or collective ecopoetic projects?
In this collection of essays, poets offer responses to these and other questions concerning poetry and ecological ethics.
Contributors include: Tyrone Williams, Leslie Scalapino, Laura Elrick, Julie Patton, Jonathan Skinner, Peter Larkin, Marcella Durand, Tracie Morris, Karen Anderson, Jill Magi, Tina Darragh, Catriona Mortimer-Sandilands, Jed Rasula, James Sherry, Jack Collom, Evelyn Reilly and Brenda Iijima.
BHARAT JIVA 2009 • 132 pp. • $15.00 Original cover art by Frances Blau CAConrad reflects on kari edward's Bharat jiva on PhillySound. Tim Peterson reports on the book launch for Bharat jiva and Bharat jiva is named an SPD Best-Seller for |
Monday, June 8, 2009
David Buuck's The Shunt (Palm Press, 2009) - Initial Thoughts Post-Participle(ation)
Briefly: The Shunt is, as Juliann Spahr notes, "...your brain on war." Imagine n a person in a town in a place with a computer and a television, each tuned to the what if scenario of some imaginary world's (why so familiar?...) distillation of mutilation into pixilated xanax facsimiles, a newsocracy of sound bite without bite, rehearsals of waste and excess and the shakes without waste and excess and the shakes but crash test dummy versions of waste and excess and the shakes. And then imagine that suis generis Spahr speaks of in relation to this work, and give it a name for now: between the cracks and the fissures and the muscle tares at a hundred frames per second there is a particular exhaustion born of sensitivity to all this artifice and mask covering up and recovering from the undertow, the real shit, the onslaught of constant slaughter of which we are, all, culpable. Call it a poetry of counterirony in the face of countercounterinsurgency. Though its tropes play off the image of the failing stand up comedian, as Sianne Ngai rightly notes, it is the aftermath of that comedian's waste, his/her post-stage embarrassments - the failiure of one's affective labor - that is our discomfort. With this imaginary world we are thankful is not real. Of an extraordinary book of post-traumatic recipes we are thankful for having not had to encounter. The Shunt, for instance.